Social issues have also been a part of my artistic proposal. I use a topic in which we can all feel identified by my selection of materials and their meaning for a community. Tradition intertwines with contemporary, craftsmanship is woven with industry. The themes are mostly on the transformation of everyday life into a piece of art. Social issues lie between technique and aesthetics, I talk about processes of change, unifying differences, and engaging my surroundings into one piece of work.
This series have been created inspired in Bedouin traditions. I re-used all the materials of their desert’s tents. Contemporary Traditional is my way to merge my culture of kinetic art with the environment surrounding me.
